Artist Spotlight

CAR SIGN, CLARKSON, WASHINGTON (2004)

John Margolies was an American photographer and historian who captured the essence of roadside architecture and design throughout the United States from the 1960s to the early 2000s.

His vast collection of photographs showcases the unique and sometimes quirky buildings and signs that defined American culture during this time period.

Margolies' photographs document the evolution of American roadside architecture, from the classic neon signs of the 1950s to the kitschy theme motels and restaurants of the 1960s and 70s. He had a particular fascination with the roadside attractions that peppered America's highways and byways, such as miniature golf courses, giant fiberglass statues, and theme parks.

DISCO STAR RIDE, SEASIDE HEIGHTS, NEW JERSEY (1978)

One of the most spectacular aspects of Margolies' work is the way in which he captures the character and personality of each individual building or sign.

His photographs are not just depictions of structures, but rather they convey a sense of the culture and identity of each location. For example, his photograph of the Big Chicken, a Kentucky Fried Chicken restaurant in Georgia, captures the over-the-top kitsch and humor of the building's design. The giant chicken perched on top of the restaurant is a testament to the kind of outlandish and whimsical architecture that Margolies was so drawn to.

In addition to being a talented photographer, Margolies was also a historian who recognized the cultural significance of the buildings and signs he photographed. He understood that these structures represented an important aspect of American culture and history, and he sought to document them before they were lost to time and development. Margolies' work serves as a valuable record of American roadside culture and design, and it has helped to preserve the memory of these unique and colorful landmarks.

WALL DRUG DINOSAUR, WALL, SOUTH DAKOTA (1980)

Margolies' work also sheds light on the changing landscape of America's highways and byways.

His photographs document the rise and fall of various roadside attractions and businesses, and they capture the ways in which these structures reflect the values and trends of their respective time periods. For example, his photograph of the abandoned Joyland Amusement Park in Wichita, Kansas, is a haunting reminder of the decline of the amusement park industry in the United States.

In conclusion, John Margolies' art is both spectacular and informative. His photographs capture the spirit and character of American roadside architecture and design, while also providing valuable insights into the cultural and historical significance of these structures. Margolies' work serves as a reminder of the importance of preserving our cultural heritage, and it inspires us to appreciate the unique and quirky aspects of American culture that are often overlooked.